Fredag hadde eg fri før eg skulle reise heim. Og sida eg ikkje har klart å putta turen til Tate Modern museumet, så blei det denne dagen. Det var utruleg stort, og noko å sjå for ein kvar smak.
Trykk gjerne på bileta for å lese. Desse fanga meg mest.
Her er det "bøker" om du ser nærmare.
Children
Dette er oppi taket. Sjå godt etter. Her var det detaljar.
Alt var gratis, utanom denne utstillinga som eg fekk anbefalt. Ei Japansk dame som heitar
The nine decades of Yayoi Kusama’s life have taken
her from rural Japan to the New York art scene to contemporary Tokyo, in
a career in which she has continuously innovated and re-invented her
style. Well known for hr repeating dot patterns, her art encompasses an
astonishing variety of media, including painting, drawing, sculpture,
film, performance and immersive installation. It ranges from works on
paper featuring intense semi-abstract imagery, to soft sculpture known
as ‘Accumulations’, to her ‘Infinity Net’ paintings, made up of
carefully repeated arcs of paint built up into large patterns. Since
1977 Kusama has lived voluntarily in a psychiatric institution, and much
of her work has been marked with obsessiveness and a desire to escape
from psychological trauma. In an attempt to share her experiences, she
creates installations that immerse the viewer in her obsessively charged
vision of endless dots and nets or infinitely mirrored space.
At the centre of the art world in the 1960s, she came into contact with artists including Donald Judd, Andy Warhol, Joseph Cornell and Claes Oldenburg, influencing many along the way. She has traded on her identity as an ‘outsider’ in many contexts – as a female artist in a male-dominated society, as a Japanese person in the Western art world, and as a victim of her own neurotic and obsessional symptoms. After achieving fame and notoriety with groundbreaking art happenings and events, she returned to her country of birth and is now Japan's most prominent contemporary artist.
This is a varied, spectacular exhibition of a truly unique artist. There has never been an exhibition of this size of her work in the UK and this is an unmissable opportunity for both Kusama fans and those new to her work.
Supported by Louis Vuitton with additional support from The Yayoi Kusama Exhibition Supporters Group and Tate International Council
Media Partner: Time Out
At the centre of the art world in the 1960s, she came into contact with artists including Donald Judd, Andy Warhol, Joseph Cornell and Claes Oldenburg, influencing many along the way. She has traded on her identity as an ‘outsider’ in many contexts – as a female artist in a male-dominated society, as a Japanese person in the Western art world, and as a victim of her own neurotic and obsessional symptoms. After achieving fame and notoriety with groundbreaking art happenings and events, she returned to her country of birth and is now Japan's most prominent contemporary artist.
This is a varied, spectacular exhibition of a truly unique artist. There has never been an exhibition of this size of her work in the UK and this is an unmissable opportunity for both Kusama fans and those new to her work.
Supported by Louis Vuitton with additional support from The Yayoi Kusama Exhibition Supporters Group and Tate International Council
Media Partner: Time Out
Og til slutt eit bilete tatt i frå kafèen :)
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